The best movies of ON THE ROAD FILM FESTIVAL 2017>> OPENING DATE ENTRY CALL 2018. ON THE ROAD FILM FESTIVAL: entirely dedicated to journeys and related themes.

The best movies of ON THE ROAD FILM FESTIVAL 2017>> OPENING DATE ENTRY CALL 2018. ON THE ROAD FILM FESTIVAL: entirely dedicated to journeys and related themes.
On the Road Film Festival. An itinerant and independent cinema festival, both on the road and borderline. Errant images, displacements and psycho-geographical drifts. Call for Entries and Regulations 2018. Please read carefully the terms of the regulations before submitting your film. In order to submit your film, an online entry form must be filled out either on Detour website or, alternatively, on one of the associate web-based platforms.
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ON THE ROAD FILM FESTIVAL
Call for Entries and Regulations 2018
An itinerant and independent cinema festival, both on the road and borderline
Errant images, displacements and psycho-geographical drifts
DEADLINES
Earlybird Submissions : by apr 30 2018
Regular Submissions: by ago 31 2018
Late Deadline: by sept 15 2018 by oct 15 2018
“A path is always between two points, but the in-between has taken on all the consistency
and enjoys both an autonomy and a direction of its own” G. Deleuze, F. Guattari, 1987
Based at the legendary DETOUR Arthouse Cinema, in the heart of Rome since 1997, ON THE ROAD FILM FESTIVAL is devoted to contemporary independent cinema – fiction, documentary and experimental – presenting travelogues, urban and waste-land wanderings, real or imaginary topographies, unexpected detours, psycho-geographical drifts, migration and nomadism.
We look for films that develop, through linguistic and narrative skills, a critical and inventive approach to the subject guidelines of the Festival: a traveling mood with digressions from fixed paths, where the route is what matters, not the destination.
The Festival hosts screenings, master classes, meetings, art exhibitions, live performances and music, both at DETOUR Cinema and at a variety of cinema venues, film clubs, schools, public libraries and other unusual locations in Rome and and in its surrounding area.
OTRFF 2018 competition consists of two sections: THE ROAD (Features and Mid-length films =>30′) and SHORT>CUTS (short films <30′)
Features and Short Films in competition will be screened in October-November 2018.
CATEGORIES & ENTRY FEES
In addition to the Competition, the festival offers a taste of international, independent “on the road” cinematography, within two more sections. The works that will not be selected for the contest can be proposed, at the discretion of the selectors and with the consent of the authors, for the two non-competitive sections:
SUBMISSIONS OPTIONS, FEES AND DEADLINES
OPENING DATE is March 10, 2018
DEADLINES:
Early Bird > April 30, 2018
Regular > August 31, 2018
Late > September 15, 2018 October 15, 2018
In order to submit your film, an online entry form must be filled out either on Detour website or, alternatively, on one of the associate web-based platforms.
Depending on the method chosen for submission, the payment of a registration fee is requested, either by bank transfer or alternatively by paypal service, via external web-based platform. Payments should be made as soon as possible in order to complete your submission. Submissions which have not been paid will not be taken into consideration.
Entry Fees:
SHORT>CUTS >Early Bird Deadline 5€ / Regular Deadline 8€ / Late Deadline 14€
THE ROAD > Early Bird Deadline Fee 8€ | Regular Deadline 14€ | Late Deadline 19€
– Submission option 1 – Signing up on Detour website
– Submission option 2 – Signing up either on an external web-based platform
Please follow the link to either of the banners below.
To whom is signed on external web sites is not requested to fill out the application form on the Detour website.
>FilmFreeway
>FilmFestivalLife
‘We encourage committed filmmakers to submit via FilmFestivalLife.
With monthly subscriptions and pro accounts FilmFestivalLife is the smartest way to save money with a strategic approach. J
oin the platform where award-winning filmmakers and quality festivals meet.
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AWARDS AND PRIZES
PARTECIPATION TERMS AND CONDITIONS
ON THE ROAD FILM FESTIVAL
a Detour Cinema production
Via Urbana 107 00184 Rome – Italy
www.cinedetour.it– ontheroadff@cinedetour.it
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Through Alejandro Jodorowsky’s autobiographical lens, Endless Poetry narrates the years of the Chilean artist’s youth during which he liberated himself from all of his former limitations, from his family, and was introduced into the foremost bohemian artistic circle of 1940s Chile where he met Enrique Lihn, Stella Díaz Varín, Nicanor Parra… at the time promising young but unknown artists who would later become the titans of twentieth-century Hispanic literature. He grew inspired by the beauty of existence alongside these beings, exploring life together, authentically and freely. A tribute to Chile’s artistic heritage, Endless Poetry is also an ode to the quest for beauty and inner truth, as a universal force capable of changing one’s life forever, written by a man who has dedicated his life and career to creating spiritual and artistic awareness across the globe.
What would you do if your income were taken care of? Just a few years ago, an unconditional basic income was considered a pipe dream. Today, this utopia is more imaginable than ever before – intense discussions are taking place in all political and scientific camps. FREE LUNCH SOCIETY provides background information about this idea and searches for explanations, possibilities and experiences regarding its implementation.
Produced by Wim Wenders, Our Last Tango tells the life and love story of Argentina’s most famous tango dancers Maria Nieves Rego and Juan Carlos Copes, who met as teenagers and danced together for nearly fifty years until a painful separation tore them apart. Relaying their story to a group of young tango dancers and choreographers from Buenos Aires, their story of love, hatred and passion is transformed into unforgettable tango-choreographies.
I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.
From his sundrenched garden in Miami, Iggy Pop reads from Michel Houellebecq’s “To Stay Alive.” In 1991, Houellebecq wrote this thought-provoking essay on insanity, survival and art, describing it as “a weak but clear signal to those on the point of giving up.” Houellebecq urges poets who are weary of life to “return to the origin; that is, to suffering.” A poet should put his finger on society’s wounds and press down hard, he says.
Through Alejandro Jodorowsky’s autobiographical lens, Endless Poetry narrates the years of the Chilean artist’s youth during which he liberated himself from all of his former limitations, from his family, and was introduced into the foremost bohemian artistic circle of 1940s Chile where he met Enrique Lihn, Stella Díaz Varín, Nicanor Parra… at the time promising young but unknown artists who would later become the titans of twentieth-century Hispanic literature. He grew inspired by the beauty of existence alongside these beings, exploring life together, authentically and freely. A tribute to Chile’s artistic heritage, Endless Poetry is also an ode to the quest for beauty and inner truth, as a universal force capable of changing one’s life forever, written by a man who has dedicated his life and career to creating spiritual and artistic awareness across the globe.