VISAGES VILLAGES by Agnès Varda. A masterpiece.

The story of a community of black people in the American South during the summer 2017, when a string of brutal killings of black men sent shockwaves throughout the country. A meditation on the state of race in America, this film is an intimate portrait into the lives of those who struggle for justice, dignity, and survival in a country not on their side. DIRECTOR’S NOTES. I have told stories of the American South which were unfolding before my eyes in unexpected ways. I have documented clusters of today’s America where the seeds of anti-institutional, reactionary anger (which gifted the country with Donald Trump as the new president) were already planted, but no one cared to notice. This time, I intended to dig even deeper into the roots of social inequality in America, by focusing on the condition of African Americans. While preparing the film, we were able to establish deep bonds with several people, and gained access to neighbourhoods and communities that are off-limits to most. I soon realised that most of the people I met felt strongly about two dramatic events in Louisiana’s recent history: Hurricane Katrina (2005) and the killing of Alton Sterling (2016). Both events are the result of institutional negligence, of a socioeconomic divide between rich and poor, and of strong endemic racism. Moved by anger and fear, people wanted to get a chance to tell their stories out loud. I hope that this film can facilitate a much-needed discussion on race and the current plight of African Americans who, now more than ever, are witnessing the intensification of hate crimes and discriminatory policies.

UNUSUAL VISIONS. Talk with fotoreporter Emiliano Pinnizzotto

In occasione dell’uscita del suo libro fotografico Unusual Visions, l’incontro con il fotoreporter Emiliano Pinnizzotto sarà un’opportunità per conoscere il lavoro documentaristico dell’autore attraverso i racconti e le immagini di quattro suoi diversi reportage premiati a livello internazionale che rivelano un’India insolita. Una testimonianza fotografica di realtà molto particolari e semi sconosciute al grande pubblico, ma ancora presenti nel subcontinente indiano.

VISAGES VILLAGES by Agnès Varda. A masterpiece.

The story of a community of black people in the American South during the summer 2017, when a string of brutal killings of black men sent shockwaves throughout the country. A meditation on the state of race in America, this film is an intimate portrait into the lives of those who struggle for justice, dignity, and survival in a country not on their side. DIRECTOR’S NOTES. I have told stories of the American South which were unfolding before my eyes in unexpected ways. I have documented clusters of today’s America where the seeds of anti-institutional, reactionary anger (which gifted the country with Donald Trump as the new president) were already planted, but no one cared to notice. This time, I intended to dig even deeper into the roots of social inequality in America, by focusing on the condition of African Americans. While preparing the film, we were able to establish deep bonds with several people, and gained access to neighbourhoods and communities that are off-limits to most. I soon realised that most of the people I met felt strongly about two dramatic events in Louisiana’s recent history: Hurricane Katrina (2005) and the killing of Alton Sterling (2016). Both events are the result of institutional negligence, of a socioeconomic divide between rich and poor, and of strong endemic racism. Moved by anger and fear, people wanted to get a chance to tell their stories out loud. I hope that this film can facilitate a much-needed discussion on race and the current plight of African Americans who, now more than ever, are witnessing the intensification of hate crimes and discriminatory policies.

BORDER. Best Film Cannes Film Festival – Un Certain Regard

In this dark fairytal Swedish actress Eva Melander buries herself in the role of Tina, an ostracized woman who feels out of place in society because of her otherworldly appearance. The peculiar creature she plays in director Ali Abbasi’s foreign-language Oscar submission suggests the unholy offspring of Quasimodo and a Tolkien Orc. But that’s just the starting point for an entrancing and unexpected love story when Tina — who works a lonely job in border security, using her rat-like sense of smell — wakes up to her superpowers when she meets a fawning man (Eero Milonoff) who looks just like her.

BORDER. Best Film Cannes Film Festival – Un Certain Regard

When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville “Unite the Right” rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. THE BRINK follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement.

BORDER. Best Film Cannes Film Festival – Un Certain Regard

In this dark fairytal Swedish actress Eva Melander buries herself in the role of Tina, an ostracized woman who feels out of place in society because of her otherworldly appearance. The peculiar creature she plays in director Ali Abbasi’s foreign-language Oscar submission suggests the unholy offspring of Quasimodo and a Tolkien Orc. But that’s just the starting point for an entrancing and unexpected love story when Tina — who works a lonely job in border security, using her rat-like sense of smell — wakes up to her superpowers when she meets a fawning man (Eero Milonoff) who looks just like her.