Meeting Gorbachev is a 2018 biographical documentary film directed by Werner Herzog and André Singer about the life of Mikhail Gorbachev, the eighth and last leader of the Soviet Union.
Herzog suggests to Gorbachev that the international mood is returning to a Cold War atmosphere. He replies, “I just wanted to say that Cold War cannot be a form of international relations. People who don’t understand the importance of cooperation and disarmament should quit politics.” (nytimes.com).
The brilliant director Andrey Tarkovsky, whose works are considered masterpieces of world cinema, left us with eight films and an ever growing interest in and desire to understand his work. The documentary recounts Tarkovsky’s life and work, letting the director tell the story himself, as he shares with us his memories, his view of art and his reflections on the destiny of the artist and the meaning of human existence. Thanks to some extremely rare audio recordings, viewers are able to immerse themselves in the mysterious world of his cinematic imagery, allowing them to comprehend and reassess the work and inner life of the great director.
The brilliant director Andrey Tarkovsky, whose works are considered masterpieces of world cinema, left us with eight films and an ever growing interest in and desire to understand his work. The documentary recounts Tarkovsky’s life and work, letting the director tell the story himself, as he shares with us his memories, his view of art and his reflections on the destiny of the artist and the meaning of human existence. Thanks to some extremely rare audio recordings, viewers are able to immerse themselves in the mysterious world of his cinematic imagery, allowing them to comprehend and reassess the work and inner life of the great director.
Every January in a small town in North Macedonia, the high priest throws a cross into the local waters, while dozens of men charge for it. The one who finds the cross is believed to gain overall good fortune and prosperity. An unemployed single young woman Petrunija jumps into the water and catches the cross. In this conservative setting, her competitors feel they have every right to be furious: a woman dared to compete and achieve what they failed to succeed in. Petrunija insists that she is the winner and refuses to return the cross.
It was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.
Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana’s mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away.
As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason…
The brilliant director Andrey Tarkovsky, whose works are considered masterpieces of world cinema, left us with eight films and an ever growing interest in and desire to understand his work. The documentary recounts Tarkovsky’s life and work, letting the director tell the story himself, as he shares with us his memories, his view of art and his reflections on the destiny of the artist and the meaning of human existence. Thanks to some extremely rare audio recordings, viewers are able to immerse themselves in the mysterious world of his cinematic imagery, allowing them to comprehend and reassess the work and inner life of the great director.
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This vivid portrait explores M.C. Escher’s life and imaginative world through his own words and visions.
Escher’s artistic universe is explored as if we’re seeing it through his own eyes – he ‘narrates’ the film (voiced by Stephen Fry) via excerpts from his many diaries, letters and notes – and across a cornucopia of his works, many of which have never been shown before. While Escher recounts his life and his constant search to turn his thoughts and musings into visual form and to create the immaculate woodcut prints he could see in his mind’s eye, his works float on the screen, animation enhancing their innate movement.
His life’s journey also takes us to the places, such as Ravello and Rome, or the Alhambra in Granada, which particularly inspired him. We witness his dogged determination to master drawing technique – he considered that any schoolboy with a little aptitude would be better at drawing than himself – and his work’s evolution as mathematical concerns take precedence, leading him to ponder whether what he is creating is even art.
Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana’s mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away.
As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason…
Every January in a small town in North Macedonia, the high priest throws a cross into the local waters, while dozens of men charge for it. The one who finds the cross is believed to gain overall good fortune and prosperity. An unemployed single young woman Petrunija jumps into the water and catches the cross. In this conservative setting, her competitors feel they have every right to be furious: a woman dared to compete and achieve what they failed to succeed in. Petrunija insists that she is the winner and refuses to return the cross.
It was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.