GOD EXISTS, HER NAME IS PETRUNIJA

Every January in a small town in North Macedonia, the high priest throws a cross into the local waters, while dozens of men charge for it. The one who finds the cross is believed to gain overall good fortune and prosperity. An unemployed single young woman Petrunija jumps into the water and catches the cross. In this conservative setting, her competitors feel they have every right to be furious: a woman dared to compete and achieve what they failed to succeed in. Petrunija insists that she is the winner and refuses to return the cross.
It was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.

THE BREADWINNER – I racconti di Parvana

Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana’s mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away.
As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason…

GOD EXISTS, HER NAME IS PETRUNIJA

The brilliant director Andrey Tarkovsky, whose works are considered masterpieces of world cinema, left us with eight films and an ever growing interest in and desire to understand his work. The documentary recounts Tarkovsky’s life and work, letting the director tell the story himself, as he shares with us his memories, his view of art and his reflections on the destiny of the artist and the meaning of human existence. Thanks to some extremely rare audio recordings, viewers are able to immerse themselves in the mysterious world of his cinematic imagery, allowing them to comprehend and reassess the work and inner life of the great director.

ESCHER. Journey into Infinity

This vivid portrait explores M.C. Escher’s life and imaginative world through his own words and visions.
Escher’s artistic universe is explored as if we’re seeing it through his own eyes – he ‘narrates’ the film (voiced by Stephen Fry) via excerpts from his many diaries, letters and notes – and across a cornucopia of his works, many of which have never been shown before. While Escher recounts his life and his constant search to turn his thoughts and musings into visual form and to create the immaculate woodcut prints he could see in his mind’s eye, his works float on the screen, animation enhancing their innate movement.
His life’s journey also takes us to the places, such as Ravello and Rome, or the Alhambra in Granada, which particularly inspired him. We witness his dogged determination to master drawing technique – he considered that any schoolboy with a little aptitude would be better at drawing than himself – and his work’s evolution as mathematical concerns take precedence, leading him to ponder whether what he is creating is even art.

THE BREADWINNER – I racconti di Parvana

Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana’s mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away.
As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason…

GOD EXISTS, HER NAME IS PETRUNIJA

Every January in a small town in North Macedonia, the high priest throws a cross into the local waters, while dozens of men charge for it. The one who finds the cross is believed to gain overall good fortune and prosperity. An unemployed single young woman Petrunija jumps into the water and catches the cross. In this conservative setting, her competitors feel they have every right to be furious: a woman dared to compete and achieve what they failed to succeed in. Petrunija insists that she is the winner and refuses to return the cross.
It was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.

NANCY starring Steve Buscemi. Best Screenplay Sundance FF

Craving connection with others, Nancy creates elaborate identities and hoaxes under pseudonyms on the internet. When she meets a couple whose daughter went missing 30 years ago, fact and fiction begin to blur in Nancy’s mind, and she becomes increasingly convinced these strangers are her real parents. As their bond deepens, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality.

God Exists, Her Name Is Petrunija

Every January in a small town in North Macedonia, the high priest throws a cross into the local waters, while dozens of men charge for it. The one who finds the cross is believed to gain overall good fortune and prosperity. An unemployed single young woman Petrunija jumps into the water and catches the cross. In this conservative setting, her competitors feel they have every right to be furious: a woman dared to compete and achieve what they failed to succeed in. Petrunija insists that she is the winner and refuses to return the cross.
It was selected to compete for the Golden Bear at the 69th Berlin International Film Festival.

ESCHER. Journey into Infinity

This vivid portrait explores M.C. Escher’s life and imaginative world through his own words and visions.
Escher’s artistic universe is explored as if we’re seeing it through his own eyes – he ‘narrates’ the film (voiced by Stephen Fry) via excerpts from his many diaries, letters and notes – and across a cornucopia of his works, many of which have never been shown before. While Escher recounts his life and his constant search to turn his thoughts and musings into visual form and to create the immaculate woodcut prints he could see in his mind’s eye, his works float on the screen, animation enhancing their innate movement.
His life’s journey also takes us to the places, such as Ravello and Rome, or the Alhambra in Granada, which particularly inspired him. We witness his dogged determination to master drawing technique – he considered that any schoolboy with a little aptitude would be better at drawing than himself – and his work’s evolution as mathematical concerns take precedence, leading him to ponder whether what he is creating is even art.