{"id":14371,"date":"2018-12-01T21:30:33","date_gmt":"2018-12-01T20:30:33","guid":{"rendered":"https:\/\/cinedetour.it\/?p=14371"},"modified":"2018-12-02T15:35:08","modified_gmt":"2018-12-02T14:35:08","slug":"otrff2018_competition-nimble-fingers","status":"publish","type":"post","link":"https:\/\/cinedetour.it\/en\/2018\/12\/01\/otrff2018_competition-nimble-fingers\/","title":{"rendered":"On the Road Film Festival 2018. Competition > NIMBLE FINGERS by Parsifal Reparato"},"content":{"rendered":"

\"\"<\/a><\/p>\n

OTRFF 2018 Concorso \/ International Competition<\/span><\/span><\/strong><\/span><\/p>\n

\n

\"\"<\/a><\/span><\/span><\/p>\n

\u203a<\/span><\/span>sab 1.12 ore 21.30<\/span><\/span><\/p>\n<\/div>\n

NIMBLE FINGERS
\n<\/span>Parsifal Reparato <\/span>(Italy\/Vietnam 2017, 52′, doc)<\/span><\/span><\/strong><\/p>\n

Lo stereotipo delle donne come operaie perfette per lo sfruttamento della produzione nell’industria elettronica \u00e8 smontato, attraverso la vita di Bay, giovane donna migrata dagli altopiani del Nord del Vietnam che vive e lavora alla periferia di Hanoi, in uno dei siti di produzione industriale tra i pi\u00f9 grandi al mondo. Il racconto prende forma attraverso il suo sguardo, i suoi sogni e le sue paure, descritte anche attraverso i disegni delle operaie che prendono vita nelle animazioni del film.<\/span><\/p>\n

Nimble fingers belong to the Vietnamese women who work in factories owns by some of the most popular electronic brands. Thousands of young migrant workers come from a remote village on the highlands of Northern Vietnam. Now they lives in a Hanoi suburb, a district developed around one of the biggest industrial production sites in the world. Thes worker’ life strictly follows the rules of the great Industrial Park. Every single woman is apparently following a stereotype of tireless work and obedience to keep up with the pace of industrial production. Step by step the movie reveals the bases upon which the productive chain is built: the conditions in which the young workers are into, the tight control and the difficulties on the workplace.<\/span><\/em><\/span><\/p>\n

A seguire incontro con il regista \/ Followed by Q&A with director Parsifal Reparato<\/span><\/span><\/span><\/strong><\/span><\/p>\n

\n
\n<\/div>\n

Con lo stesso biglietto \/ With the same ticket:<\/span><\/strong><\/p>\n

\"\"<\/a><\/p>\n

\u203a<\/span>sab 1.12 ore 20<\/span><\/span><\/p>\n

HAPPY NEW YEAR
\n<\/span>D\u00e9sir\u00e9e Marianini <\/span>(China, Italy 2016, 32\u2019, doc)<\/span><\/span><\/strong><\/span><\/p>\n

\n

Una periferia urbana, un piccolo palazzo semi-abbandonato e il suo unico abitante. Un giovane quarantenne cinese guarda al mondo con cinismo e rancore. Un tempo il palazzetto ha ospitato un esperimento di autogestione e di vita in condivisione alternativa. Allora il giovane, figlio del comunismo reale, guardava al futuro e sentiva di far parte di una storia diversa. Oggi, alcuni amici bussano ancora alla porta, ma rimangono solo frammenti di una vita vissuta insieme, mentre \u00e8 intenso il rumore dei cantieri. Una voce narrante svela tratti di una relazione profonda, ma ormai distante. Attorno l\u2019enorme metropoli cinese, in costante costruzione e distruzione, dove lo spazio per la memoria \u00e8 sempre pi\u00f9 difficile da ritrovare.<\/span><\/p>\n

A Chinese metropolis and its suburb, a semi-abandoned mansion and its sole inhabitant. A man look at the world with cynicism and resentment. Time ago, the building hosted an experiment of self-management and autonomy and the young man felt to be part of a different history. Today, some friends still knock at the door, while we ear the construction sites’s intense noise. The voice over, instead, reveals traits of a personal relationship, although the room of memory is difficult to recover.<\/span><\/em><\/span><\/p>\n

a seguire incontro con la regista \/ Followed by Q&A with director D\u00e9sir\u00e9e Marianini <\/span><\/span><\/span><\/strong><\/span><\/p>\n

____________________________________________________________________________________________________________________________________<\/p>\n<\/div>\n

\u203adom 2 dic h21.00<\/span><\/strong><\/span><\/p>\n

OTRFF 2018 AWARDS<\/span>
\nCerimonia di premiazione dei film vincitori delle sezioni in concorso<\/span><\/span><\/span><\/p>\n

\n
\n

> 7.12.18 – 15.12.18 <\/span><\/strong><\/span><\/p>\n

EVENTI SPECIALI<\/span><\/span><\/p>\n

—<\/p>\n<\/div>\n

\n

Tutti i film sono in lingua originale con sottotitoli in italiano. \/ <\/span><\/strong>Movies in O.V. with italian subtitles<\/span><\/strong><\/span><\/p>\n<\/div>\n

\n

—<\/p>\n

LE GIURIE\/ JURIES<\/span><\/strong><\/span><\/p>\n

The Road – Lungometraggi<\/span><\/em><\/span><\/p>\n

Presidente Marina Lalovic<\/strong> (giornalista, autrice Rai). <\/span>Con Gea Casolaro<\/strong> (artista visuale, videomaker), Davide Stanzione<\/strong> (critico del cinema)<\/span><\/span><\/p>\n

Short>Cuts – Cortometraggi<\/em><\/span><\/span><\/span><\/p>\n

Presidente Simone Manetti<\/strong> (regista). <\/span>Con Lucilla Castellano<\/strong> (blogger di viaggi, montatrice) e Vincenzo Scolamiero<\/strong> (artista, docente Accademia Belle Arti Roma)<\/span><\/span><\/span><\/p>\n

—<\/p>\n

Una produzione | Production > DETOUR con un contributo di<\/span><\/em><\/span>
\nRegione Lazio – Direzione Regionale Cultura e Politiche Giovanili<\/span><\/em><\/span>
\nIn collaborazione con Euskara.it Luci dalla Cina Libreria Pagina 2 – Ex-Orientalia.<\/span><\/em><\/span><\/p>\n

Media Partner: Post.it Roma<\/a>, La Cicala sull\u2019Amaca LCA \u2013 Viaggi Arte Turismo Culturale<\/a>, Universal Movies<\/a>.<\/span><\/p>\n

Direzione | Festival Directors > Cristina Nistic\u00f2 Presidente Detour, Daniele Lupi, Sergio Ponzio<\/span><\/em><\/span><\/p>\n

Co-curatrice | Festival Co-curator > Vera Fusco<\/span><\/em><\/span><\/p>\n

Grazie a | Thanks to > Simona Sarmati, Francesca Grossi, Simona Scolamiero, Ornella Vaiani, Anne McGlone, Lucia Pirozzi, Chiara Nistico, Stefania Bonelli, Giovannella Rendi, Giovanni Raffa, Gianluca Celi, Gabriele Videtta, Peter Herold, Francesco Di Stefano, Lior Levy, Paolo Cavalcanti, Caterina D\u2019Aleo, Bruno Oliverio, Alex Mendizabal, Maider Elkoro Gabilondo, Marina Chiarioni, Markus Nikel, Palmira Pregnolato, Andrea Marcelloni, Yuliya Farei, Patrizia Copponi, Daniele Roncaccia, Marianna Massimiliani, Valentina Bacco.<\/span><\/em><\/span><\/p>\n

Ufficio stampa Detour Factory<\/span><\/em><\/span>
\nontheroadff@cinedetour.it<\/span><\/em><\/span><\/p>\n<\/div>\n

 <\/p>\n

 —\"\"<\/a><\/span><\/p>\n

Cinema | Corsi e laboratori | Esposizioni | attivit\u00e0 per bambini | Cinebar | Musica | Video d’arte | Teatro | Produzione Distribuzione Editoria indipendente<\/span><\/p>\n

Associazione Culturale Detour – Via Urbana 107 Roma www.cinedetour.it<\/a>– cinedetour@tiscali.it<\/a><\/span><\/p>\n

Cineclub Detour \u00e8 affiliato all’ENAL e alla FICC (Federazione Italiana Circoli Cinema)<\/span><\/p>\n

Sostienici<\/a> \/ Support Us<\/a><\/em><\/span><\/p>\n

Seguici su \/ Follow us on:<\/em><\/span><\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

On the Road Film Festival 6. A Chinese metropolis and its suburb, a semi-abandoned mansion and its sole inhabitant. A man look at the world with cynicism and resentment. Time ago, the building hosted an experiment of self-management and autonomy and the young man felt to be part of a different history. Today, some friends still knock at the door, while we ear the construction sites’s intense noise. The voice over, instead, reveals traits of a personal relationship, although the room of memory is difficult to recover.<\/p>\n","protected":false},"author":2,"featured_media":14372,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[309,2232],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.11","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":false,"excerpt":true}}},"publishpress_future_action":{"enabled":false,"date":"2026-04-12 20:34:40","action":"category-remove","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/14371"}],"collection":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/comments?post=14371"}],"version-history":[{"count":4,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/14371\/revisions"}],"predecessor-version":[{"id":14392,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/14371\/revisions\/14392"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media\/14372"}],"wp:attachment":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media?parent=14371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/categories?post=14371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/tags?post=14371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}