{"id":18656,"date":"2021-10-16T20:00:23","date_gmt":"2021-10-16T19:00:23","guid":{"rendered":"https:\/\/cinedetour.it\/?p=18656"},"modified":"2021-10-19T09:20:13","modified_gmt":"2021-10-19T08:20:13","slug":"la-cordigliera-dei-sogni-v-o-sott-ita-2","status":"publish","type":"post","link":"https:\/\/cinedetour.it\/en\/2021\/10\/16\/la-cordigliera-dei-sogni-v-o-sott-ita-2\/","title":{"rendered":"LA CORDIGLIERA DEI SOGNI (v.o. sott.ita)"},"content":{"rendered":"<p><span style=\"font-size: 10pt;\"><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Cinema Detour APS, Via Urbana 107 Roma<\/span><\/span><br \/>\n<span style=\"font-size: 10pt;\"><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Sabato 16 ottobre 2021 ore 20,00 \/ October 16 2021 Saturday h8.00pm<\/span><\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 10pt;\">Necessaria la <a href=\"https:\/\/cinedetour.it\/prenotazioni\/\"><strong>prenotazione online<\/strong><\/a><strong> e la presentazione del green pass all&#8217;ingresso.<\/strong><br \/>\nDetour APS segue le norme di contenimento Covid-19 e invita le\/i partecipanti a fare lo stesso, grazie!<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"font-size: 10pt; font-family: 'trebuchet ms', geneva, sans-serif;\">Miglior Documentario 2020 &#8211; Cannes Film Festival<\/span><\/em><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 36pt;\">LA CORDIGLIERA DEI SOGNI&nbsp;<br \/>\n<span style=\"font-size: 18pt;\">(La Cordillera de los sue\u00f1os)<\/span><\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><span style=\"font-size: 10pt;\"><span style=\"font-size: 10pt;\">di\/by Patricio Guzman<br \/>\nFrancia, Cile 2020 85&#8221;, v.o. spagnola, sott. italiano<\/span><br \/>\n<\/span><\/span><\/p>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-18642\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web-716x1024.jpg\" alt=\"\" width=\"670\" height=\"958\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web-716x1024.jpg 716w, https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web-210x300.jpg 210w, https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web-768x1098.jpg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2021\/10\/IWP_cordigliera_poster_alcinema_web.jpg 839w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/a><\/p>\n<div>\n<div title=\"Page 1\">\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 10pt;\">ITA.&nbsp;L\u2019esplorazione del territorio va di pari passo con l\u2019esplorazione nella storia, per svelare l\u2019anima pi\u00f9 profonda del Cile. Proprio come ci ha abituati Guzm\u00e1n. Nel documentario, vincitore del Festival di Cannes, le alte cime della cordigliera si caricano di una moltitudine di significati simbolici, spesso contraddittori, stratificati come la roccia. La poesia visiva del paesaggio si sovrappone alle testimonianze dei cittadini cileni, che rivivono i loro ricordi della dittatura di Pinochet. Una nostalgia, un senso di frustrazione schiacciante che non affligge solo il popolo cileno ma anche la sua Cordigliera, le voci umane si fondono con quella silente della roccia, in un commovente grido di avvertimento alle nuove generazioni, affinch\u00e9 non si rassegnino mai.<\/span><\/p>\n<\/div>\n<hr>\n<p><span style=\"font-family: trebuchet ms, geneva, sans-serif;\"><span style=\"font-size: 13.3333px;\">ENG. An exiled filmmaker returns to Chile, contemplating fascism and eternity.&nbsp;<br \/>\n<\/span><\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 10pt;\">Winner of the Best Documentary award at the Cannes Film Festival, master filmmaker Patricio Guzm\u00e1n&#8217;s The Cordillera of Dreams completes his trilogy (with Nostalgia for the Light and The Pearl Button) investigating the relationship between historical memory, political trauma, and geography in his native country of Chile. It centers on the imposing landscape of the Andes that run the length of the country\u2019s Eastern border. At once protective and isolating, magisterial and indifferent, the Cordillera serves as an enigmatic focal point around which Guzm\u00e1n contemplates the enduring legacy of the 1973 military coup d\u2019\u00e9tat.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 10pt;\">Along the way, Guzm\u00e1n interviews artists, writers, and documentarians, drawing out their conflicted feelings towards the Cordillera and its relationship to Chilean national identity and history. Among the interviewees are Vincente Gajardo and Francisco Gazit\u00faa, sculptors who draw from the raw materials of the Cordillera to produce their artwork. Jorge Baradoit, a writer of history and fiction, discusses the continuation of Pinochet\u2019s project in the social and economic structure of contemporary Chile. Musician Javiera Parra remembers the violence she witnessed as a child. The film\u2019s prominent moral voice is Pablo Salas, a filmmaker and archivist who has worked since the 1980s to document acts of political resistance and state violence.<\/span><\/p>\n<p><span style=\"font-family: 'trebuchet ms', geneva, sans-serif; font-size: 10pt;\">Looking at both the past and future, Guzm\u00e1n\u2019s work rescues Chile from the threat of historical amnesia. He considers how the neoliberal economic policies introduced under the Pinochet regime have continued to stratify Chilean society along increasingly rigid class lines. The Cordillera may form an omnipresent backdrop to the Chilean landscape, but, like so many parts of the country, much of it is privately owned and inaccessible to the vast majority of the population. Unflinching in its presentation of contemporary Chile, The Cordillera of Dreams moves beyond despair and looks towards the possibilities of political change by linking the ideological struggles of the past with the inequalities of the present.<\/span><\/p>\n<p><span style=\"font-family: trebuchet ms, geneva, sans-serif;\"><span style=\"font-size: 13.3333px;\">&nbsp;<\/span><\/span><\/p>\n<div style=\"text-align: justify;\" title=\"Page 1\">\n<div style=\"text-align: justify;\" title=\"Page 1\">\n<hr>\n<\/div>\n<div style=\"text-align: center;\">\n<table style=\"height: 18px; width: 676px;\">\n<tbody>\n<tr style=\"height: 20px;\">\n<td style=\"width: 28.6px; height: 20px; text-align: left;\"><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2013\/10\/LOGOTONDO_ombra.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-1217\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2013\/10\/LOGOTONDO_ombra-150x150.png\" alt=\"LOGOTONDO_ombra\" width=\"33\" height=\"33\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2013\/10\/LOGOTONDO_ombra-150x150.png 150w, https:\/\/cinedetour.it\/wp-content\/uploads\/2013\/10\/LOGOTONDO_ombra.png 179w\" sizes=\"(max-width: 33px) 100vw, 33px\" \/><\/a><\/span><\/td>\n<td style=\"width: 644.4px; 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It centers on the imposing landscape of the Andes that run the length of the country\u2019s Eastern border. At once protective and isolating, magisterial and indifferent, the Cordillera serves as an enigmatic focal point around which Guzm\u00e1n contemplates the enduring legacy of the 1973 military coup d\u2019\u00e9tat.<\/p>\n","protected":false},"author":2,"featured_media":18642,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[376],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.11","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":true}}},"publishpress_future_action":{"enabled":false,"date":"2026-04-20 01:14:32","action":"category-remove","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/18656"}],"collection":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/comments?post=18656"}],"version-history":[{"count":4,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/18656\/revisions"}],"predecessor-version":[{"id":18659,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/18656\/revisions\/18659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media\/18642"}],"wp:attachment":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media?parent=18656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/categories?post=18656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/tags?post=18656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}