{"id":20107,"date":"2022-04-10T00:00:26","date_gmt":"2022-04-09T23:00:26","guid":{"rendered":"https:\/\/cinedetour.it\/?p=20107"},"modified":"2022-05-12T15:01:17","modified_gmt":"2022-05-12T14:01:17","slug":"otrff8-palmares-2022","status":"publish","type":"post","link":"https:\/\/cinedetour.it\/en\/2022\/04\/10\/otrff8-palmares-2022\/","title":{"rendered":"OTRFF8 >> Palmar\u00e8s 2022"},"content":{"rendered":"<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"All the features films in competition at the 8th On the Road Film Festival + video greetings from the directors.\" src=\"https:\/\/player.vimeo.com\/video\/698579820?h=7c5076ad69&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<h2>ON THE ROAD FILM FESTIVAL 8<\/h2>\n<h2>Palmar\u00e8s 2022<\/h2>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-14454\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares-1024x576.jpg\" alt=\"\" width=\"428\" height=\"241\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares-1024x576.jpg 1024w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares-300x169.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares-768x432.jpg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/12\/cartello-OTRFF-palmares.jpg 1920w\" sizes=\"(max-width: 428px) 100vw, 428px\" \/><\/a><\/p>\n<p data-offset-key=\"6rcan-0-0\">&nbsp;<\/p>\n<p data-offset-key=\"6rcan-0-0\">&nbsp;<\/p>\n<h3 data-offset-key=\"6rcan-0-0\">THE ROAD&nbsp;CONCORSO MEDIO-LUNGOMETRAGGI<\/h3>\n<p data-offset-key=\"6rcan-0-0\">On the Road Feature &amp; Medium Length Films&nbsp;International Competition<br \/>\n26.3 &gt; 10.4.2022<br \/>\nCine Detour via Urbana 107 Roma<\/p>\n<div data-offset-key=\"cg3f1-0-0\"><strong>GIURIA \/ JURY<\/strong><\/div>\n<div data-offset-key=\"cg3f1-0-0\">Presidente di Giuria \/ President of the Jury:&nbsp;Gabriele Anaclerio&nbsp;(essayist, film scholar).&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\">Con \/ With:&nbsp;Stefania Bonelli (film critic), &nbsp;Francesca Zanza&nbsp;(film producer)<\/div>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<p data-offset-key=\"cg3f1-0-0\"><span style=\"font-size: 14pt; color: #333333;\"><strong>KOI&nbsp;<\/strong>di \/by Lorenzo Squarcia per Jumping Flee (Italy\/Japan)<\/span><br \/>\n<strong><span style=\"font-size: 14pt; color: #800000;\">Miglior Film 2022 \/ Best Film 2022<\/span><\/strong><\/p>\n<div style=\"text-align: justify;\" data-offset-key=\"cg3f1-0-0\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/KOI.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19668\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/KOI-300x158.jpg\" alt=\"\" width=\"300\" height=\"158\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/KOI-300x158.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/KOI.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><strong>Motivazione del Premio \/ Reasons for the prize<\/strong><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><em>\u226aNella migliore tradizione del cinema di viaggio \u00e8 presente l\u2019avvicinamento a una cultura \u201caltra\u201d, condotto con un approccio documentario che si d\u00e0 come ascolto e racconto di una fertile pluralit\u00e0 di punti di vista sull\u2019evento, focalizzandosi in modo significativo su una prospettiva fortemente marginalizzata.\u226b<\/em><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #808080;\"><em>\u226aIn the best tradition of travel cinema there is an approach to an &#8220;other&#8221; culture, conducted with a documentary method that is given as listening to and narrating a fertile plurality of points of view on the event, focusing significantly on a strongly marginalized perspective.\u226b<\/em><\/span><\/div>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"RINGRAZIAMENTO DETOUR\" src=\"https:\/\/player.vimeo.com\/video\/698904852?h=3ee75818ab&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\">\n<hr>\n<\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"font-size: 14pt; color: #333333;\"><strong>PORQOUI LA MER RIT-ELLE?&nbsp;<\/strong>di \/ by Aude Fourel (France)<\/span><br \/>\n<span style=\"font-size: 12pt;\"><strong><span style=\"color: #800000;\">Menzione Speciale della Giuria &#8220;Miglior Regia&#8221; \/ Jury Special Mention&#8221;Best Director&#8221;<\/span><\/strong><\/span><\/p>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19690\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea-300x167.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea.jpg 629w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<\/div>\n<\/div>\n<div data-offset-key=\"cg3f1-0-0\">\n<hr>\n<\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"font-size: 14pt; color: #333333;\"><strong>LE CADEAU&nbsp;<\/strong>di \/ by&nbsp;Myriam Van Imschoot (Belgium)<\/span><br \/>\n<span style=\"color: #800000; font-size: 12pt;\"><strong>Menzione Collettiva Speciale della Giuria \/ Jury Special Collective Mention<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19694\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2-300x166.jpg\" alt=\"\" width=\"300\" height=\"166\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2-300x166.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<\/div>\n<hr>\n<p style=\"text-align: justify;\"><span style=\"color: #333333;\"><strong><span style=\"font-size: 14pt;\">LA CAROVANA BIANCA&nbsp;<\/span><\/strong><span style=\"font-size: 14pt;\">di \/ by Artemide Alfieri, Angelo Cretella (Italy)<\/span><\/span><br \/>\n<span style=\"color: #800000; font-size: 12pt;\"><strong>Detour On the Road Special Award&nbsp;<\/strong><\/span><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><span style=\"font-size: 10pt;\"><br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-bianca.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-20020\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-bianca-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-bianca-300x169.jpeg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-bianca-768x432.jpeg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-bianca.jpeg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div data-offset-key=\"cg3f1-0-0\"><strong>Motivazione del Premio \/ Reasons for the prize<\/strong><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><em>\u226aper lo spirito fieramente indipendente con cui l&#8217;autrice e l&#8217;autore hanno saputo raccontare attraverso i mezzi del cinema del reale la condizione di stasi forzqta di una comunit\u00e0 di artisti viaggianti e l\u2019eterna tensione oppositiva tra nomadismo e tentazione sedentaria.\u226b<\/em><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #808080;\"><em>\u226afor the fiercely independent spirit with which the authors have been able to tell through the means of the cinema of reality the condition of forced stasis of a community of traveling artists and the eternal opposing tension between nomadism and sedentary temptation.\u226b<\/em><\/span><\/div>\n<hr>\n<p style=\"text-align: justify;\"><span style=\"font-size: 14pt; color: #333333;\"><strong>EVA VOUDRAIT&nbsp;<\/strong>di \/ by Lisa Diaz (France)<\/span><br \/>\n<span style=\"font-size: 12pt;\"><strong><span style=\"color: #800000;\">Premio del Pubblico Detour \/ Cine Detour Audience Award<\/span><\/strong><\/span><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><span style=\"font-size: 10pt;\"><br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/EVA-VOUDRAIT.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19680\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/EVA-VOUDRAIT-300x162.jpg\" alt=\"\" width=\"300\" height=\"162\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/EVA-VOUDRAIT-300x162.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/EVA-VOUDRAIT.jpg 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div data-offset-key=\"cg3f1-0-0\">\n<hr>\n<\/div>\n<h3 data-offset-key=\"6rcan-0-0\"><strong>SHORT&gt;CUTS&nbsp;CONCORSO CORTOMETRAGGI<\/strong><\/h3>\n<p data-offset-key=\"6rcan-0-0\">On the Road Short Films&nbsp;International Competition<br \/>\n10.4.2022&nbsp;<br \/>\nCine Detour via Urbana 107 Roma<\/p>\n<div data-offset-key=\"cg3f1-0-0\"><strong>GIURIA \/ JURY<\/strong><\/div>\n<div data-offset-key=\"cg3f1-0-0\">Presidente di Giuria \/ President of the Jury: Silvia Stucky&nbsp;(Multidisciplinary Artist).&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\">Con \/ With: Nicoletta Bea&nbsp;(Animation Designer), Maya Vetri (Cultural Curator)<\/div>\n<p style=\"text-align: justify;\">&nbsp;<\/p>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"font-size: 14pt; color: #333333;\"><strong>TOO BIG DRAWING<\/strong> di \/by&nbsp;Henadzi Buto (Belarus)<\/span><br \/>\n<span style=\"color: #800000; font-size: 14pt;\"><strong>Miglior Corto On the Road \/ Best Short Film On the Road<br \/>\n<span style=\"font-size: 12pt;\">Premio del Pubblico ad ex-aequo \/ Audience Award ex-equo<\/span><\/strong><\/span><\/div>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/TooBigDrawing_by_G.Buto_still05.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19755\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/TooBigDrawing_by_G.Buto_still05-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/TooBigDrawing_by_G.Buto_still05-300x169.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/TooBigDrawing_by_G.Buto_still05.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div data-offset-key=\"cg3f1-0-0\"><strong>Motivazione del Premio \/ Reasons for the prize<\/strong><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><em>\u226aUn pensiero che si fa matita, per poi balzare dal campo visivo al pi\u00f9 ampio campo sensoriale.<\/em><br \/>\n<em>Un viaggio oltre i confini della carta ci spinge fuori dalle nostre stanze, case, strade, quartieri, citt\u00e0 e poi oltre la societ\u00e0 umana, su sentieri naturali e incontaminati.&nbsp;Il segno esce dal foglio e si mette in cammino, senza limiti, senza confini, libero di attraversare ponti e stagioni, viaggia nell\u2019acqua o sulla sabbia, entra nei boschi, corre fra i rami degli alberi e sotto la neve, in una linea ininterrotta che come il ciclo della natura ci riporta infine al punto di partenza, arricchiti di una percezione quasi tattile di noi stessi e dello spazio che occupiamo.\u226b<\/em><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #808080;\"><em>\u226aA thought that becomes a pencil, and then leaps from the visual field to the wider sensory field.<\/em><\/span><br \/>\n<span style=\"color: #808080;\"><em>A journey beyond the confines of paper pushes us out of our rooms, houses, streets, neighborhoods, cities and then beyond human society, on natural and uncontaminated paths. The sign leaves the sheet and sets off, without limits, without borders, free to cross bridges and seasons, travels in the water or on the sand, enters the woods, runs between the branches of trees and under the snow, in a line uninterrupted that like the cycle of nature finally brings us back to the starting point, enriched with an almost tactile perception of ourselves and of the space we occupy.\u226b<\/em><\/span><\/div>\n<div data-offset-key=\"cg3f1-0-0\">&nbsp;<\/div>\n<p><iframe loading=\"lazy\" title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/698575018?h=9213b46b59\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div data-offset-key=\"cg3f1-0-0\">\n<hr>\n<\/div>\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #333333;\"><strong><span style=\"font-size: 14pt;\">HOMO MOBILIS&nbsp;<\/span><\/strong><span style=\"font-size: 14pt;\">di \/by Nikola Miloradovic (Canada)<\/span><\/span><br \/>\n<strong><span style=\"font-size: 12pt; color: #800000;\">Menzione Presidente della Giuria \/ Jury President Special Mention<\/span><\/strong><\/div>\n<\/div>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/homo-mobilis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19741\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/homo-mobilis-300x167.jpg\" alt=\"\" width=\"300\" height=\"167\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/homo-mobilis-300x167.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/homo-mobilis.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\"><strong>Motivazione della Menzione \/ Reasons for the Mention<\/strong><span style=\"font-size: 8pt;\"><em><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><br \/>\n<\/span><\/em><\/span><em>\u226aLa vita vista attraverso i vetri di un\u2019automobile che trasporta e si fonde con una nuova specie umana, l\u2019Homo Mobilis, in un mondo adattato alle nuove esigenze dettate dall\u2019emergenza pandemica. Suono e immagine essenziali, montaggio tagliente, realismo asciutto portano in una dimensione algida di separatezza, in cui tutto \u2013 ogni relazione, ogni funzione \u2013 avviene senza contatto umano diretto. Dalla spesa ai test Covid, dalla pulizia dell\u2019auto alla fruizione culturale: una nuova quotidianit\u00e0 che attraversiamo protetti da un guscio metallico mobile, indice di una fragilit\u00e0 che ci rende tutti uguali e ugualmente impotenti.\u226b<\/em><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #808080;\"><em>\u226aLife seen through the windows of a car that transports and merges with a new human species, Homo Mobilis, in a world adapted to the new needs dictated by the pandemic emergency. Essential sound and image, sharp editing, dry realism lead to an icy dimension of separateness, in which everything &#8211; every relationship, every function &#8211; takes place without direct human contact. From shopping to Covid tests, from car cleaning to cultural enjoyment: a new everyday life that we pass through protected by a mobile metal shell, an indication of a fragility that makes us all equal and equally impotent.\u226b<\/em><\/span><\/div>\n<div data-offset-key=\"cg3f1-0-0\">\n<hr>\n<\/div>\n<\/div>\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"font-size: 14pt; color: #333333;\"><strong>THE VAN&nbsp;<\/strong>di \/ by&nbsp;Erenik Beqiri (France)<\/span><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><span style=\"font-size: 10pt;\"><br \/>\n<\/span><\/span><strong><span style=\"font-size: 12pt; color: #800000;\">Menzione Speciale della Giuria \/ Jury Special Mention<br \/>\n<span style=\"color: #800000;\">Premio del Pubblico ad ex-aequo \/ Audience Award ex-equo<\/span><br \/>\n<\/span><\/strong><\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/the-van-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-19744\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/the-van-1-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/the-van-1-300x169.jpg 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/the-van-1.jpg 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<div data-offset-key=\"cg3f1-0-0\">\n<div data-offset-key=\"cg3f1-0-0\"><strong>Motivazione della Menzione \/ Reasons for the Mention<\/strong><br \/>\n<em>\u226aL\u2019impossibilit\u00e0 di muoversi \u00e8 condizione disumana e insopportabile come i colpi impietosi che sfigurano il volto del protagonista. Il riscatto della propria libert\u00e0 di spostamento comporta il confronto violento tra figlio e padre, due generazioni con percezioni diverse della realt\u00e0. Il viaggio \u00e8 qui un circolo chiuso, una gabbia senza finestre, una camera di tortura \u2018on the road\u2019. Ma non si pu\u00f2 che fare questo viaggio per non rimanere sospesi tra lo stare e il partire. Il film sembra domandare se questo sia il prezzo da pagare per smettere di essere figli, per liberare la vita dalla morte. Un dilemma senza risposta, e in cui ogni cosa \u00e8 duplice e contraddittoriamente connette violenza\/libert\u00e0, dentro\/fuori, padre\/figlio, restare\/andare, morte\/vita.\u226b<\/em><\/div>\n<div data-offset-key=\"cg3f1-0-0\"><span style=\"color: #808080;\"><em>\u226aThe inability to move is an inhuman and unbearable condition like the merciless blows that disfigure the face of the protagonist. The redemption of one&#8217;s freedom of movement involves the violent confrontation between son and father, two generations with different perceptions of reality. The journey here is a closed circle, a windowless cage, an &#8216;on the road&#8217; torture chamber. But one can only take this journey in order not to remain suspended between staying and leaving. The film seems to ask whether this is the price to pay to stop being children, to free life from death. An unanswered dilemma, and in which everything is double and contradictorily connects violence \/ freedom, inside \/ outside, father \/ son, staying \/ going, death \/ life.\u226b<\/em><\/span><\/div>\n<\/div>\n<div class=\"_1mf _1mj\" data-offset-key=\"cg3f1-0-0\">\n<hr>\n<p><span style=\"font-size: 10pt;\"><span style=\"color: #404040;\"><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2019\/12\/LOGO-OTRFF_nero-trasparente_low.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-15811\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2019\/12\/LOGO-OTRFF_nero-trasparente_low-300x203.png\" alt=\"\" width=\"157\" height=\"106\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2019\/12\/LOGO-OTRFF_nero-trasparente_low-300x203.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2019\/12\/LOGO-OTRFF_nero-trasparente_low-768x518.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2019\/12\/LOGO-OTRFF_nero-trasparente_low.png 800w\" sizes=\"(max-width: 157px) 100vw, 157px\" \/><\/a><\/span><\/strong><\/span><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">Fondatore\/Direttore artistico\/Catalogo &gt; Sergio Ponzio <\/span><br \/>\n<span style=\"font-size: 10pt;\">Direttrice organizzativa &gt; Cristina Nistic\u00f2 <\/span><br \/>\n<span style=\"font-size: 10pt;\">Coordinamento &gt; Daniele Lupi <\/span><br \/>\n<span style=\"font-size: 10pt;\">Collaborazione organizzativa &gt; Alessandro Calisti, Vera Fusco <br \/>\nTraduzioni testi in inglese &gt; Anne McGlone &amp; Peter Herold<\/span><br \/>\n<span style=\"font-size: 10pt;\">Poster Artwork &gt; Lucy Jones www.lucyjonesillustration.com<\/span> <br \/>\n<span style=\"font-size: 10pt;\">Presidenti Giurie&gt; Gabriele Anaclerio (lungometraggi), Silvia Stucky (cortometraggi)<br \/>\nIn Giuria&gt; Nicoletta Bea, Stefania Bonelli, Maya Vetri, Francesca Zanza <br \/>\nPartners &gt; BeFree, Direttamente Onlus, Termini Tv <\/span><br \/>\n<span style=\"font-size: 10pt;\">Media Partners &gt; Sentieri Selvaggi, Taxi Drivers, Zero Magazine <\/span><br \/>\n<span style=\"font-size: 10pt;\">Partners di vicinato &gt; Broccoletti, Maido, Radiation Records, Zia Rosetta <\/span><br \/>\n<span style=\"font-size: 10pt;\">Grazie &gt; Anne, Caterina, Chiara, Eva , Francesca, Francesco Gabriele, Gianluca, Massimiliano, Peter, Patrizia, Simona, Valentina<\/span><\/p>\n<hr>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 20%;\">Un&#8217;autoproduzione<\/td>\n<td style=\"width: 20%;\">Partners di vicinato:<\/td>\n<td style=\"width: 20%;\">&nbsp;<\/td>\n<td style=\"width: 20%;\">&nbsp;<\/td>\n<td style=\"width: 20%;\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 20%;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-13679\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente-300x300.png\" alt=\"\" width=\"100\" height=\"100\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente-300x300.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente-150x150.png 150w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente-768x768.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente-1024x1024.png 1024w, https:\/\/cinedetour.it\/wp-content\/uploads\/2018\/05\/logo_detour_2018_trasparente.png 1181w\" sizes=\"(max-width: 100px) 100vw, 100px\" \/><\/a><\/td>\n<td style=\"width: 20%;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-Broccoletti.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-19934 aligncenter\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-Broccoletti-300x155.png\" alt=\"\" width=\"134\" height=\"70\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-Broccoletti-300x155.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-Broccoletti-768x397.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-Broccoletti.png 980w\" sizes=\"(max-width: 134px) 100vw, 134px\" \/><\/a><\/td>\n<td style=\"width: 20%;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Logo-Maido-ral-giusti.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-19937 aligncenter\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Logo-Maido-ral-giusti-300x116.png\" alt=\"\" width=\"159\" height=\"61\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Logo-Maido-ral-giusti-300x116.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Logo-Maido-ral-giusti-768x296.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Logo-Maido-ral-giusti.png 945w\" sizes=\"(max-width: 159px) 100vw, 159px\" \/><\/a><\/td>\n<td style=\"width: 20%;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-19935 aligncenter\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi-300x300.png\" alt=\"\" width=\"84\" height=\"84\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi-300x300.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi-150x150.png 150w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi-768x768.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/logo-radiation-hi.png 787w\" sizes=\"(max-width: 84px) 100vw, 84px\" \/><\/a><\/td>\n<td style=\"width: 20%;\"><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-19936 aligncenter\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta-300x152.png\" alt=\"\" width=\"149\" height=\"76\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta-300x152.png 300w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta-1024x517.png 1024w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta-768x388.png 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/LOGO_Zia_Rosetta.png 1031w\" sizes=\"(max-width: 149px) 100vw, 149px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 20%;\">&nbsp;<\/td>\n<td style=\"width: 20%; text-align: center;\">Via Urbana 104<\/td>\n<td style=\"width: 20%; text-align: center;\">Via Urbana 122<\/td>\n<td style=\"width: 20%; text-align: center;\">Via del Boschetto 94<\/td>\n<td style=\"width: 20%; text-align: center;\">Via Urbana 54<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<hr>\n<p style=\"text-align: center;\"><strong><span style=\"font-family: 'trebuchet ms', geneva, sans-serif;\">Edizioni precedenti \/ Previous editions<\/span><\/strong><\/p>\n<div data-options='{&quot;id&quot;:&quot;12708&quot;,&quot;lazy_load&quot;:&quot;no&quot;,&quot;masonry_enable&quot;:&quot;no&quot;,&quot;view_type&quot;:&quot;grid&quot;}'\n  id=\"post-grid-12708\" class=\"post-grid grid\">\n  <div class=\"grid-items\">\n  <div class=\"item item-20089 skin flat even 0 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"337\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Tiong_Bahru_Social_Club.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Tiong_Bahru_Social_Club.jpg 630w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Tiong_Bahru_Social_Club-300x160.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition-2\/\">{:it}TIONG BAHRU SOCIAL CLUB di Tan Bee Thiam [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Il giovane Ah Bee lascia un lavoro monotono e l'appartamento che divide con la madre e il gatto per entrare a far parte del Tiong Bahru Social Club, un nuovo progetto di co-housing high-tech basato su algoritmi per creare artificialmente  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition-2\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition-2\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20092 skin flat odd 1 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/shortcuts-concorso-internazionale-corti-on-the-road\/\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"357\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/FeelingThrough01.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/FeelingThrough01.jpg 630w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/FeelingThrough01-300x170.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/shortcuts-concorso-internazionale-corti-on-the-road\/\">{:it}SHORT&gt;CUTS Concorso internazionale corti On the Road [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Nove cortometraggi internazionali On the Road in gran parte inediti in Italia, di generi diversi, selezionati tra centinaia di proposte pervenute da tutto il mondo per il concorso SHORT>CUTS di quest'anno. Gli spettatori in sala assegneranno il Premio del Pubblico  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/shortcuts-concorso-internazionale-corti-on-the-road\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/10\/shortcuts-concorso-internazionale-corti-on-the-road\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20085 skin flat even 2 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition\/\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"349\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2.jpg 630w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/le-cadeau_2-300x166.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition\/\">{:it}LE CADEAU di M. Van Imschoot [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Fatiha, Malika, Anissa e Sarah non sembrano avere molto in comune tranne che per la loro relazione speciale con lo \"youyou \", nome coloniale francese per il grido acuto che le donne del Nord Africa e del Medio Oriente lanciano  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/le-cadeau-di-m-van-imschoot-otrff-8-in-competition\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20076 skin flat odd 3 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/ailleurs-partout-di-i-ingold-v-perelmuter-otrff-8-in-competition\/\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"354\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/AILLEURS_PARTOUT.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/AILLEURS_PARTOUT.jpg 630w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/AILLEURS_PARTOUT-300x169.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/ailleurs-partout-di-i-ingold-v-perelmuter-otrff-8-in-competition\/\">{:it}AILLEURS PARTOUT di I. Ingold, V. Perelmuter [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Lo schermo di un computer, immagini dai quattro angoli del mondo. Attraversiamo i confini con un clic mentre la storia di un altro viaggio ci raggiunge in frammenti, attraverso messaggi di testo, chat, conversazioni telefoniche e un questionario dell'ufficio immigrazione.  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/ailleurs-partout-di-i-ingold-v-perelmuter-otrff-8-in-competition\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/09\/ailleurs-partout-di-i-ingold-v-perelmuter-otrff-8-in-competition\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20070 skin flat even 4 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/08\/why-does-the-film-laughs-di-aude-fourel\/\"><img loading=\"lazy\" decoding=\"async\" width=\"629\" height=\"351\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea.jpg 629w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/Why-does_the_sea-300x167.jpg 300w\" sizes=\"(max-width: 629px) 100vw, 629px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/08\/why-does-the-film-laughs-di-aude-fourel\/\">{:it}WHY DOES THE FILM LAUGHS? di Aude Fourel [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}\"Ho letto un giorno la storia di una leggenda aborigena secondo la quale, ogni antenato lascia dietro di s\u00e9 un percorso sinuoso pieno di canti e di spiriti-figli. Quando una persona cammina lungo le tracce del suo antenato, riporta i  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/08\/why-does-the-film-laughs-di-aude-fourel\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/08\/why-does-the-film-laughs-di-aude-fourel\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20046 skin flat odd 5 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"630\" height=\"354\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/kalashnikov.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/kalashnikov.jpg 630w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/03\/kalashnikov-300x169.jpg 300w\" sizes=\"(max-width: 630px) 100vw, 630px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2-2\/\">{:it}KALASHNIKOV SOCIETY di Christophe Karabache [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Beirut, subito dopo l\u2019esplosione del 4 agosto\u2026 Tracce di vita, strappate da una quotidianit\u00e0 gravosa e peculiare, che intrecciano malinconia, peregrinazioni, sopportazione e rabbia, di pi\u00f9 persone, che vivono in un paese sull\u2019orlo del baratro.{:}{:en}Beirut, right after the August 4th  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2-2\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2-2\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-20041 skin flat even 6 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster-724x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster-724x1024.jpg 724w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster-212x300.jpg 212w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster-768x1087.jpg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster-1086x1536.jpg 1086w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/Eva-voudrait_poster.jpg 1200w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2\/\">{:it}EVA VOUDRAIT di Lisa Diaz [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Con Marie Rivi\u00e8re (Il raggio verde, Racconto d'autunno di \u00c9ric Rohmer). Eva \u00e8 una donna di 39 anni, single e libera. Un ginecologo le ha appena detto che le sono rimasti pochissimi ovuli. Vorrebbe avere un figlio ma non sa  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/03\/koi-di-lorenzo-squarcia-otrff-8-in-competition-2\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-19988 skin flat odd 7 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/koi-di-lorenzo-squarcia-otrff-8-in-competition\/\"><img loading=\"lazy\" decoding=\"async\" width=\"717\" height=\"1024\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/KOI-Official-Poster-717x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/KOI-Official-Poster-717x1024.jpg 717w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/KOI-Official-Poster-210x300.jpg 210w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/KOI-Official-Poster-768x1097.jpg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/KOI-Official-Poster.jpg 840w\" sizes=\"(max-width: 717px) 100vw, 717px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/koi-di-lorenzo-squarcia-otrff-8-in-competition\/\">{:it}KOI di Lorenzo Squarcia [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Yasuo e Tomohiro sono due uomini molto diversi tra loro, ma che condividono una grande forza di volont\u00e0 e lo stesso scopo, tenere vivo il ricordo delle vittime dello tsunami e del conseguente incidente alla centrale nucleare di Fukushima,che ha  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/koi-di-lorenzo-squarcia-otrff-8-in-competition\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/koi-di-lorenzo-squarcia-otrff-8-in-competition\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-19981 skin flat even 8 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/wasteland-di-misong-jin-otrff-8-in-competition\/\"><img loading=\"lazy\" decoding=\"async\" width=\"566\" height=\"800\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/wasteland_poster.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/wasteland_poster.jpg 566w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/wasteland_poster-212x300.jpg 212w\" sizes=\"(max-width: 566px) 100vw, 566px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/wasteland-di-misong-jin-otrff-8-in-competition\/\">{:it}WASTELAND di Misong Jin [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}In una landa desolata post-apocalittica, una giovane coppia in attesa di un bambino, stremata dalle dure condizioni della sopravvivenza, vaga senza sosta nella speranza di segnalare la propria posizione a un elicottero di soccorso.{:}{:en}In a post-apocalyptic wasteland, two lovers who  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/wasteland-di-misong-jin-otrff-8-in-competition\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/02\/wasteland-di-misong-jin-otrff-8-in-competition\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><div class=\"item item-19977 skin flat odd 9 \">\n    <div class=\"layer-wrapper layout-17046\">\n    <div class=\"layer-media \"\n  id=\"\">\n  <div\n  class=\"element element_1  element-media \">\n  <a target=\"\" href=\"https:\/\/cinedetour.it\/en\/2022\/04\/01\/otrff8-la-carovana-bianca-di-by-artemide-alfieri-angelo-cretella\/\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-678x1024.jpg\" class=\"attachment-large size-large wp-post-image\" alt=\"\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-678x1024.jpg 678w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-199x300.jpg 199w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-768x1160.jpg 768w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana-1017x1536.jpg 1017w, https:\/\/cinedetour.it\/wp-content\/uploads\/2022\/04\/carovana.jpg 1080w\" sizes=\"(max-width: 678px) 100vw, 678px\" \/><\/a>\n\n<\/div>\n<\/div>\n<div class=\"layer-content element_3\"\n  id=\"\">\n  <div class=\"element element_4  title \">\n    <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/01\/otrff8-la-carovana-bianca-di-by-artemide-alfieri-angelo-cretella\/\">{:it}LA CAROVANA BIANCA [OTRFF.8 in Competition]{:}{:en}On The Road Film Festival 8{:}<\/a>\n\n  \n\n<\/div>\n<div\n  class=\"element element_5  excerpt_read_more \">\n  {:it}Quattro famiglie di circensi, abbandonate dalle istituzioni, si trovano sospese nella speranza che la pandemia sparisca come in uno spettacolo di magia. Gli artisti dello spettacolo viaggiante cominciano la loro metamorfosi, il loro ingresso forzato nel mondo dei \u201cFermi\u201d in  <a target=\"_blank\"\n    href=\"https:\/\/cinedetour.it\/en\/2022\/04\/01\/otrff8-la-carovana-bianca-di-by-artemide-alfieri-angelo-cretella\/\"><\/a>\n\n<\/div>\n<a class=\"element element_1594389010722  read_more \"\n  target=\"\"\n  href=\"https:\/\/cinedetour.it\/en\/2022\/04\/01\/otrff8-la-carovana-bianca-di-by-artemide-alfieri-angelo-cretella\/\">Read more<\/a>\n\n<\/div>\n  <\/div>\n<\/div><\/div>\n<div class=\"pagination\">\n  <div class=\"paginate\">\n  <span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/20107\/page\/2\/\">2<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/20107\/page\/2\/\">Next \u00bb<\/a><\/div>\n<style type=\"text\/css\">\n#post-grid-12708 .pagination .page-numbers {\n  font-size: 17px;\n  color: #646464;\n  background: #646464;\n}\n\n#post-grid-12708 .pagination .page-numbers:hover,\n#post-grid-12708 .pagination .page-numbers.current {\n  background: #4b4b4b;\n}\n<\/style>\n<\/div>\n  <style type=\"text\/css\">\n  .layout-17046 .element_0 {\n      }\n\n    <\/style>\n  <style type=\"text\/css\">\n.layout-17046 .element_1 {\n  overflow: hidden;\n  }\n\n.layout-17046 .element_1 img {\n  max-width: 100%;\n  height: auto;\n}\n\n@media only screen and (min-width: 1024px) {\n  .layout-17046 .element_1 {\n    height: auto;\n      }\n}\n\n@media only screen and (min-width: 768px) and (max-width: 1023px) {\n  .layout-17046 .element_1 {\n    height: auto;\n      }\n}\n\n@media only screen and (min-width: 0px) and (max-width: 767px) {\n  .layout-17046 .element_1 {\n    height: auto;\n      }\n}\n<\/style>\n  <style type=\"text\/css\">\n  .layout-17046 .element_3 {\n      }\n\n    <\/style>\n  <style type=\"text\/css\">\n.layout-17046 .element_4 {\n  font-size: 20px;\n  margin: 10px 0;\n  text-align: left;\n  font-size:20px;display:block;padding:10px;text-align:left;}\n\n.layout-17046 .element_4 a {\n  font-size: 20px;\n  margin: 10px 0;\n  text-align: left;\n  font-size:20px;display:block;padding:10px;text-align:left;}\n<\/style>\n<style type=\"text\/css\">\n.layout-17046 .element_5 {\n  text-align: left;\n  font-size:12px;display:block;padding:10px; text-align:left;}\n\n.layout-17046 .element_5 a {\n  }\n<\/style>\n<style type=\"text\/css\">\n.layout-17046 .element_1594389010722 {\n  }\n\n.layout-17046 .element_1594389010722 a {\n  }\n<\/style>\n\n\n<style type=\"text\/css\">\n\/*Write your CSS code here*\/<\/style>\n\n\n<style type=\"text\/css\">\n.layout-17046 a{text-decoration:none}\r\n.layout-17046 {\r\n  vertical-align: top;\r\n}\r\n.layout-17046 .layer-media{}\r\n.layout-17046 .layer-content {\r\n}<\/style>\n<script>\n\/*Write your js code here*\/<\/script>\n<style type=\"text\/css\">\n#post-grid-12708 {\n  padding: 10px;\n  background-color: #fff;\n  }\n\n#post-grid-12708 .item {\n  background: #fff;\n  }\n\n#post-grid-12708 .item .layer-media {\n  height:auto;}\n\n@media only screen and (min-width: 0px) and (max-width: 767px) {\n  #post-grid-12708 .grid-items {\n    text-align: center;\n      }\n\n  #post-grid-12708 .item {\n    width: 90%;\n    margin: 10px;\n    display: inline-block;\n    vertical-align: top;\n    height:auto;  }\n}\n\n@media only screen and (min-width: 768px) and (max-width: 1023px) {\n  #post-grid-12708 .grid-items {\n    text-align: center;\n      }\n\n  #post-grid-12708 .item {\n    width: 280px;\n    margin: 10px;\n    display: inline-block;\n    vertical-align: top;\n    max-height:auto;  }\n}\n\n@media only screen and (min-width: 1024px) {\n  #post-grid-12708 .grid-items {\n    text-align: center;\n      }\n\n  #post-grid-12708 .item {\n    width: 280px;\n    display: inline-block;\n    margin: 10px;\n    vertical-align: top;\n    height:auto;  }\n}\n\n<\/style>\n<\/div>\n\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p style=\"text-align: left;\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Koi&#8221; by Lorenzo Squarcia from the Jumping Flea collective and &#8220;Too Big Drawing&#8221; by Genadzi Buto respectively win the Jury Prize for Best Film and Best Short Film at ON THE ROAD FILM FESTIVAL 8, travel and frontier cinema.<br \/>\nEva Voudrait by Liza Diaz and the shorts Too Big Drawing and The Van (ex-aequo) win the Audience Award.<br \/>\nBelow is a list of all the prizes and special mentions of the sections in the 2022 competition.<br \/>\nThe awards ceremony was held on Sunday 10 April 2022 at the Cinema Detour in Rome, in the presence of the Juries (presidents Gabriele Anaclerio and Silvia Stucky) and the public. Thanks to all and to all those who participated with passion and interest.<\/p>\n","protected":false},"author":2,"featured_media":14454,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[308,376,1885,13],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.11","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":true}}},"publishpress_future_action":{"enabled":false,"date":"2026-04-18 13:39:25","action":"category-remove","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/20107"}],"collection":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/comments?post=20107"}],"version-history":[{"count":33,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/20107\/revisions"}],"predecessor-version":[{"id":20128,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/20107\/revisions\/20128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media\/14454"}],"wp:attachment":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media?parent=20107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/categories?post=20107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/tags?post=20107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}