{"id":4344,"date":"2014-12-19T15:35:02","date_gmt":"2014-12-19T14:35:02","guid":{"rendered":"https:\/\/cinedetour.it\/?p=4344"},"modified":"2017-01-23T14:45:20","modified_gmt":"2017-01-23T13:45:20","slug":"19-dic-h21-30-lo-stato-della-follia-while-traveling-silent-more-silent-programma-di-cinema-espanso-e-intervento-live-dotr014","status":"publish","type":"post","link":"https:\/\/cinedetour.it\/en\/2014\/12\/19\/19-dic-h21-30-lo-stato-della-follia-while-traveling-silent-more-silent-programma-di-cinema-espanso-e-intervento-live-dotr014\/","title":{"rendered":"19 dic h21.30 LO STATO DELLA FOLLIA + WHILE TRAVELING: SILENT MORE SILENT! programma di cinema espanso e intervento live (DOTR014)"},"content":{"rendered":"

Detour on the Road Film Fest 2014<\/span><\/em><\/p>\n

venerd\u00ec 19 dicembre h20.00<\/span><\/strong><\/p>\n

\n

h20<\/span><\/p>\n

The Road<\/span>_La Strada<\/span><\/strong><\/span><\/p>\n

LO STATO DELLA FOLLIA
<\/span><\/span>The State of Insanity<\/span><\/em><\/p>\n

Francesco Cordio
<\/span>Con Luigi Rigoni<\/span><\/em>
Italia 2014, 72\u2019 v.o.<\/span> italiano<\/span>, sott inglese<\/span><\/em><\/p>\n

\"19dic_statodellafollia_250\"<\/a><\/p>\n

In Italia esistono 6 OPG, comunemente chiamati manicomi criminali, all’interno vi sono rinchiuse circa 1000 persone. Il racconto in prima persona di un attore, ex-internato in uno di questi ospedali, s\u2019intreccia con le riprese effettuate, senza preavviso, in questi luoghi “dimenticati” anche dallo Stato. <\/span><\/p>\n

In Italy there are 6 OPG, commonly called criminal asylums, in which about 1500 people are locked up. The first-person account of an actor, ex-inmate in one of these hospitals, is intertwined with scenes filmed, without prior notice, in these places that have been “forgotten” about even by the State. These facilities have remained substantially extraneous and impermeable to the reformed psychiatric culture, and the mechanism of detention has not been effected by the law passed in 1978 that called for the closure of psychiatric hospitals. The film intends to accompany, and to let the spectator experience, these places where people, since the beginning of the 1900s, have been exiled and dehumanized by pharmacological treatment, by the degradation of solitary confinement cells and by restraint beds.<\/em><\/span><\/p>\n

A seguire incontro con il<\/span> regista Francesco Cordio<\/span><\/em><\/span><\/p>\n

—<\/span><\/p>\n

h21.30<\/span> ANTEPRIMA ASSOLUTA<\/span>
AcrossVideo_Artisti on the Road<\/span><\/strong><\/span><\/p>\n

WHILE TRAVELING: SILENT MORE SILENT!
<\/span>Un programma di\u00a0cinema espanso curato e presentato da Marcus Bergner
<\/span>An Expanded Cinema Screening curated\u00a0and presented by<\/span> Marcus Bergner
<\/span><\/em>Alla presenza di Marcus Bergner e Alex Mendizabal<\/span><\/p>\n

\"19dic_alexmarcus_cuma-soma-by-lee-smith_250\"<\/a><\/p>\n

I film inseriti in questo programma, e l\u2019intervento live che lo accompagna, hanno tutti qualcosa a che fare con il viaggio, in senso allegorico, letterale, architettonico, astratto, grafico o acustico. <\/span>
Mentre si legge\u00a0si pu\u00f2, se si \u00e8 fortunati, ascoltare e percepire i propri i pensieri, viaggiare in silenzio sotto o sopra l\u2019atto della lettura stessa: i pensieri diventano disimpegnati e impegnati contemporaneamente. Guardando molto intensamente e da vicino a qualcosa, diciamo un albero, \u00e8 come essere trascinati all’interno dell\u2019atto della vita reale di leggere il mondo. Questo tipo di fenomeni esperienziali riguarda concetti di presenza e assenza, interconnessi e in funzione simultaneamente.
Sfumature e variet\u00e0 di forme dell\u2019esperienza percettiva e di osservazione si colgono sia in People Reading<\/em> di Robin Plunkett che in Lift<\/em>\u00a0di Myriam Van Imschoot. Questi lavori molto \u201cquieti\u201d e finemente \u201caccordati\u201d introducono bene\u00a0la seconda parte del programma, con proiezioni ed evento live, incentrata sulla strategia di Alex Mendizabal di rendere i film muti (i cortometraggi di Neil Taylor, Lee Smith e Marcus Bergner) ancora pi\u00f9 silenziosi, senza dover\u00a0dotare il pubblico di tappi per le orecchie. <\/span><\/p>\n

Each film in this program, and the live intervention that accompanies it, has something to do with traveling either allegorically, literally, architecturally, abstractly, graphically or acoustically. Notably while reading one can, if one\u2019s lucky, hear and sense one\u2019s thoughts traveling away almost silently below or above the act of reading itself: thoughts become both disengaged and engaged simultaneously. Looking very intensely and closely at something, say at a tree for instance, is like being carried along within the real life action of reading the world. These kind of experiential events or qualities involve aspects of presence and absence intermixing and operating simultaneously. Subtleties and manifestations in terms of such perceptual and observational experience are connected and deflected within both Robin Plunkett\u2019s People Reading and Myriam Van Imschoot\u2019s LIFT. Such finely tuned and, in fact, \u2018quite quiet\u2019 films aptly introduce and provide preparatory groundwork for the second part of this screening and live event. This will center upon Alex Mendizabal\u2019s ingenious and expanded cinema strategy for \u2018making silent films more silent.\u2019 And something that will be brought about and upon short and silent films by Neil Taylor, Lee Smith and Marcus Bergner without the assistance of personal devises or aids such as earplugs and the like being provided to the audience.<\/span><\/em>\u00a0<\/span><\/p>\n

PEOPLE READING<\/strong> di Robin Plunkett (1999, 19\u2019, 35mm, colore e bianco e nero)<\/span>
Scene vita reale di persone che leggono durante il viaggio a piedi, in treno e in poltrona; rivelando bolle di pensiero e suoni in presa diretta che uniscono le forze per trasformare e trasfigurare il momento e processo stesso cinematografico.<\/span>
Real-life performances of people reading while traveling by foot, train and armchair; revealing thought-bubbles and live sounds that combine forces to transform and transfigure the cinematic moment and process itself.<\/em><\/span><\/p>\n

LIFT<\/strong> di Myriam Van Imschoot (2014, 19’33”, HD, suono, colore)<\/span>
Un\u2019unica carrellata sulla facciata di un grattacielo. Il film evoca vertiginosamente come la citt\u00e0 e il cinema possano riflettere in un gioco di rimandi oltre i limiti sensoriali e gli schemi.<\/span>
An experimental film that is one take, one long traveling shot, across the facade of a skyscraper. The film evokes in vertiginous ways how the city and the cinema might reflect and fold in upon themselves beyond usual sensorial constraints and frames.<\/em><\/span><\/p>\n

CUMA SOMA<\/strong> di Lee Smith (2001 7\u2019, 16mm, muto)<\/span>
Splendore cromo-fonico colto sotto un incantesimo illusorio e sbalzi di cruda luminosit\u00e0 e giochi di luci. Ampie graffiature e azioni Gestalt che raffigurano e sottolineano la profondit\u00e0 di campo, spazio e movimento cinematici mai ottenuti da un film senza macchina da presa.<\/span>
Chromo-phonic splendor caught under the illusive spell and rush of raw luminosity and light play. Sweeping scratches and gestalt-like movements refigure and highlight depth of field, cinematic movement and space in ways rarely achieved within a camera-less film.<\/em><\/span><\/p>\n

VERBFILM<\/strong> di Marcus Bergner (2014 6\u2019, HD, muto)<\/span>
Visioni dormienti si fissano sulle mura di questa Camera Picta, perdendosi in eufemistici angoli e antiquate fessure.<\/span>
Dormant visions affix and establish themselves onto the walls of this Camera Picta, leaking into euphemistic and antiquated nooks and crannies.<\/em><\/span><\/p>\n

SHORTS LIVES<\/strong> di Neil Taylor (1996, 12\u2019, 16mm, muto)<\/span>
Errori di comunicazione che generano movimento al pari delle vibrazioni comuni\u2026 un tipo di animazione en plain air<\/em> che evita la rigidit\u00e0 del lightbox. Tutti i disegni sono eseguiti su centinaia di blocknotes tascabili in forma di appunti di viaggio.<\/span>
About this experimental animation film the filmmaker states: \u2018\u2026communication errors generated motion as well as the customary vibration\u2026. a kind of Plein Air animation that avoided the rigidity of the light box.\u2019 All drawings are executed on hundreds of pocket size notepads over many years as traveling notes.<\/em><\/span><\/p>\n

ROLL FILM<\/strong> di Neil Taylor (1998, 10\u2019, 16mm, muto)<\/span>
Ascolto\/qui l\u2019arazzo di Bayeux unisce le forze con Oskar Fischinger per ottenere rari istanti di metamorfosi e collusioni animate. Il film, cinesteticamente e graficamente mette in risalto stati di mutevolezza universali ed energia performativa che supera e trasfigura la singola imagine se percepita in un certo modo. Lo sguardo deve spostarsi e adeguarsi al costante mutamento e agli orizzonti e punti focali in movimento.<\/span>
Hear\/here the Bayeux Tapestry joins forces with Oskar Fischinger to bring about rare instants of animated collusion and metamorphosis. This film, kinesthetically and graphically highlights states of universal mutability and performative energy that overtakes and transfixes the singular image if perceived in a certain way. Eyes must roll and adjust to constantly shifting and traveling focal spots and horizons.<\/em><\/span><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Detour on the Road Film Fest 2014 venerd\u00ec 19 dicembre h20.00 h20 The Road_La Strada LO STATO DELLA FOLLIA The State of Insanity Francesco Cordio Con Luigi Rigoni Italia 2014, 72\u2019 v.o. italiano, sott inglese In Italia esistono 6 OPG, comunemente chiamati manicomi criminali, all’interno vi sono rinchiuse circa 1000 persone. Il racconto in prima […]<\/p>\n","protected":false},"author":2,"featured_media":4223,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[308,376,309],"tags":[],"translation":{"provider":"WPGlobus","version":"2.8.11","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"publishpress_future_action":{"enabled":false,"date":"2026-04-13 00:51:31","action":"category-remove","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/4344"}],"collection":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/comments?post=4344"}],"version-history":[{"count":2,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/4344\/revisions"}],"predecessor-version":[{"id":4346,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/4344\/revisions\/4346"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media\/4223"}],"wp:attachment":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media?parent=4344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/categories?post=4344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/tags?post=4344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}