{"id":5972,"date":"2015-09-11T20:30:46","date_gmt":"2015-09-11T19:30:46","guid":{"rendered":"https:\/\/cinedetour.it\/?p=5972"},"modified":"2015-11-10T00:01:05","modified_gmt":"2015-11-09T23:01:05","slug":"detour-riapre-proiezione-detour-di-edgar-ulmer-2","status":"publish","type":"post","link":"https:\/\/cinedetour.it\/en\/2015\/09\/11\/detour-riapre-proiezione-detour-di-edgar-ulmer-2\/","title":{"rendered":"ven 11 set DETOUR RIAPRE! Proiezione &#8220;DETOUR&#8221; di Edgar Ulmer. Ingresso 1\u20ac"},"content":{"rendered":"<p><span style=\"font-size: 14pt\">CINEMA DETOUR,\u00a0Via Urbana 107 @Monti\u00a0<\/span><\/p>\n<p><span style=\"font-size: 14pt\">VENERD\u00ec 11 SETTEMBRE 2015<\/span><\/p>\n<p><span style=\"font-size: 14pt\">Grande riapertura con la serata\u00a0TUTTOA1\u20ac contro la crisi culturale.<br \/>Popcorn artigianale per tutti!<\/span><\/p>\n<p><span style=\"font-size: 14pt\">h20.30<\/span><\/p>\n<p><span style=\"font-size: 36pt\">DETOUR<\/span><\/p>\n<p><span style=\"font-size: medium\">di Edgar G. Ulmer (Usa 1945, 67&#8242; noir, english version, sottotitoli in italiano)<\/span><\/p>\n<p><a href=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2015\/09\/detour-ulmer1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5885\" src=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2015\/09\/detour-ulmer1.jpg\" alt=\"detour-ulmer1\" width=\"350\" height=\"263\" srcset=\"https:\/\/cinedetour.it\/wp-content\/uploads\/2015\/09\/detour-ulmer1.jpg 350w, https:\/\/cinedetour.it\/wp-content\/uploads\/2015\/09\/detour-ulmer1-300x225.jpg 300w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/p>\n<p><em><span style=\"font-size: 12pt\">&#8220;He went searching for love, but Fate forced a DETOUR to Revelry&#8230; Violence&#8230; Mystery!&#8221;<\/span><\/em><\/p>\n<p><span style=\"font-size: 12pt\">Uno dei pi\u00f9 affascinanti\u00a0esempi\u00a0di cinema noir di tutti i tempi. Film oggetto di studio e di culto da parte dei pi\u00f9 grandi cineasti, tra i quali Martin Scorsese, girato in 6 giorni e in due soli ambienti, Detour \u00e8 considerato il capolavoro di Edgar G. Ulmer, gi\u00e0 assistente di Friedrich Murnau, che, ispirandosi all&#8217;espressionismo tedesco, realizza una lenta, inesorabile, discesa all&#8217;inferno, con un film a met\u00e0 strada tra il noir europeo e il poliziesco americano, utilizzando attori sconosciuti. Da incorniciare la sequenza finale filmata in un unico piano sequenza di 5 minuti.\u00a0<\/span><br \/><span style=\"font-size: 12pt\">Al Roberts,\u00a0un pianista squattrinato che\u00a0viaggia in autostop, riceve un passaggio da\u00a0Haskell. I due si danno il cambio alla guida e Haskell si addormenta. Quando Al tenta di\u00a0svegliarlo si accorge che l&#8217;uomo \u00e8 morto. Impaurito delle possibili conseguenze, Al nasconde il cadavere e riprende la strada. In un motel incontra Vera, una\u00a0ragazza che conosce il suo segreto&#8230;<\/span><\/p>\n<p><span style=\"font-size: 12pt\"><span style=\"color: #666699\"><em>English: Detour\u00a0begins when hitchhiker Al Roberts accepts a ride from affable gambler Charles Haskell Jr. When Haskell suffers a fatal heart attack, Roberts disposes of the body and begins driving the car himself. He picks up beautiful Vera, who is aware of Roberts&#8217; secret and attempts to blackmail him. This movie from Hollywood&#8217;s poverty row, shot in six days, filled with technical errors and ham-handed narrative, should have faded from sight soon after it was released in 1945. And yet it lives on, haunting and creepy, an embodiment of the guilty soul of film noir. No one who has seen it has easily forgotten it.<br \/>The movie was shot on the cheap with B-minus actors, but it was directed by a man of qualities: Edgar G. Ulmer, a refugee from Hitler, who was an assistant to the great Murnau on \u201cThe Last Laugh\u201d and \u201cSunrise,\u201d and<\/em> provided<em> one of the links between German Expressionism, with its exaggerated lighting, camera angles and dramaturgy, and the American film noir, which added jazz and guilt.\u00a0<\/em><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"sinossieng\">\u00a0<\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>Uno dei pi\u00f9 affascinanti esempi di cinema noir di tutti i tempi. Film oggetto di studio e di culto da parte dei pi\u00f9 grandi cineasti, tra i quali Martin Scorsese, girato in 6 giorni e in due soli ambienti, Detour \u00e8 considerato il capolavoro di Edgar G. Ulmer, gi\u00e0 assistente di Friedrich Murnau, che, ispirandosi all&#8217;espressionismo tedesco, realizza una lenta, inesorabile, discesa all&#8217;inferno, con un film a met\u00e0 strada tra il noir europeo e il poliziesco americano, utilizzando attori sconosciuti. Da incorniciare la sequenza finale filmata in un unico piano sequenza di 5 minuti. \/ Detour begins when hitchhiker Al Roberts accepts a ride from affable gambler Charles Haskell Jr. When Haskell suffers a fatal heart attack, Roberts disposes of the body and begins driving the car himself. He picks up beautiful Vera, who is aware of Roberts&#8217; secret and attempts to blackmail him. The movie was shot on the cheap with B-minus actors, but it was directed by a man of qualities: Edgar G. Ulmer, a refugee from Hitler, who was an assistant to the great Murnau on \u201cThe Last Laugh\u201d and \u201cSunrise,\u201d and provided one of the links between German Expressionism, with its exaggerated lighting, camera angles and dramaturgy, and the American film noir, which added jazz and guilt. <\/p>\n","protected":false},"author":2,"featured_media":5885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"pgc_meta":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[376],"tags":[610,434,221,607,305,204,611,162,222,26,612,300,609,608],"translation":{"provider":"WPGlobus","version":"2.8.11","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":true},"en":{"title":false,"content":false,"excerpt":false}}},"publishpress_future_action":{"enabled":false,"date":"2026-04-13 10:57:59","action":"category-remove","newStatus":"draft","terms":[],"taxonomy":"category"},"_links":{"self":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/5972"}],"collection":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/comments?post=5972"}],"version-history":[{"count":3,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/5972\/revisions"}],"predecessor-version":[{"id":6721,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/posts\/5972\/revisions\/6721"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media\/5885"}],"wp:attachment":[{"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/media?parent=5972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/categories?post=5972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinedetour.it\/en\/wp-json\/wp\/v2\/tags?post=5972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}