The Worst Person in the World is a modern dramedy about the quest for love and meaning in contemporary Oslo. It chronicles four years in the life of Julie (Renate Reinsve), a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.
A French-Arabic translator for the Paris police anti-narcotics unit, Patience Portefeux (Isabelle Huppert) interprets the daily calls and conversations between the city’s biggest drug dealers. In the evenings, she looks in on her aging mother (Liliane Rovère, “Call My Agent”) at the long-term care facility where she is months behind in paying the bills. When she overhears the son of one of her mother’s nurses on the wiretap, Patience is moved to protect him. But her involvement in his business quickly escalates and she finds herself in possession of a huge store of hash and the insider knowledge required to move it. With
On a gray, foggy morning outside a large Polish city, Zhenia (Alec Utgoff), a masseur from the East, enters the lives of the wealthy residents of a gated community. Using hypnotic, almost magical techniques to get a residence permit, he starts working. The well-to-do residents in their cookie-cutter homes seemingly have it all, but they all suffer from an inner sadness, some unexplained longing. The attractive and mysterious newcomer’s hands heal, and Zhenia’s eyes seem to penetrate their souls. To them, his Russian accent sounds like a song from the past, a memory of their seemingly safer childhoods. The latest from writer/director Malgorzata Szumowska (Elles, In the Name of) and her longtime collaborator Michal Englert is an unclassifiable meditation on class, immigration, and global warming with touches of magical realism and moments of sober beauty and subtle humor.
The Worst Person in the World is a modern dramedy about the quest for love and meaning in contemporary Oslo. It chronicles four years in the life of Julie (Renate Reinsve), a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.
Retirement is coming soon for Luís Rovisco. The songs he dreams up during the day make up for all the injustices in his life. But standing before the receptionist Lucinda, he finds himself singing to a different tune.
A French-Arabic translator for the Paris police anti-narcotics unit, Patience Portefeux (Isabelle Huppert) interprets the daily calls and conversations between the city’s biggest drug dealers. In the evenings, she looks in on her aging mother (Liliane Rovère, “Call My Agent”) at the long-term care facility where she is months behind in paying the bills. When she overhears the son of one of her mother’s nurses on the wiretap, Patience is moved to protect him. But her involvement in his business quickly escalates and she finds herself in possession of a huge store of hash and the insider knowledge required to move it. With
In arrivo, un poker di raffinate commedie d’autore dai quattro angoli dell’Europa per tenere alto il morale e premiare la dedizione delle nostre truppe cinefile.
Ma poiché siamo pur sempre al Detour, dove abbiamo un debole per i buoni vecchi generi del cinema, non potrà sfuggirvi che il tono variopinto di ciascuna commedia è modulato con la sua particolare gradazione di dark-noir.
L’asso nella manica di questa settimana, con protagonista un’abitualmente stupefacente Isabelle Huppert, è la crimedy francese MAMA WEED, che abbiamo scelto di promuovere con il suo titolo internazionale, a nostro giudizio più evocativo della sostanza della storia (in italiano è “La Padrina”, mentre il titolo originale francese è “La Daronne”).
Retirement is coming soon for Luís Rovisco. The songs he dreams up during the day make up for all the injustices in his life. But standing before the receptionist Lucinda, he finds himself singing to a different tune.
Kiyokazu Kurihara and Satoko are a married couple. They do not have children. They learn about plenary adoption and adopt a baby son. 6 years later, the couple live happily with their son Asato. They receive a phone call from a woman, who introduces herself as Hikari Katakura. She is Asato’s birth mother…
There are few films that explore motherhood in such a serious, solid, beautiful way, far from judgements. Kawase takes the film in surprising directions, but her narrative and her naturalistic, engrossing style never loses emotional focus. The story may be a familiar one, but this Cannes-honored director lets it unfold with rare tenderness and mystery.
The Worst Person in the World is a modern dramedy about the quest for love and meaning in contemporary Oslo. It chronicles four years in the life of Julie (Renate Reinsve), a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is.